By Derek Flynn
Once upon a time there were two comic companies. One was an imprint of DC Comics, which featured stories of a mature nature written by many of the bright new stars of the comics world. Its name was Vertigo. Vertigo published – amongst other titles – Sandman by Neil Gaiman, Preacher by Garth Ennis, and Transmetropolitan by Warren Ellis. The other company had been set up by a group of superstar artists, including Todd McFarlane and Jim Lee, who had become fan favourites drawing some of Marvel Comics’ biggest characters. That company was called Image Comics.
Continue reading Vertigo vs. Image: A Tale of Two Comic Companies
by Stephen Hardman
Whether it be the Illuminati, the Bilderberg Group, or other secretive groups of the super-rich and powerful, the idea that a very small percentage of the world’s population controls the majority of the world’s wealth is a pervasive one. Often dismissed as wild conspiracy theories the idea has taken greater hold since the most recent global banking crisis, the aftermath of which has been scant consequences for the people that caused it, coupled with devastating consequences for the people adversely affected by it.
Continue reading IMAGE REVIEW: The Black Monday Murders
It’s not surprising that Lazarus is such a great comic, given its pedigree. Written by Greg Rucka who – when he’s not writing some of the most interesting stories in mainstream DC – has also written such excellent series as Whiteout and Queen and Country; with art by Michael Lark of Daredevil and Captain America fame; and published by Image Comics – hands down the publisher of the most exciting new comics at the moment. (Indeed, there’s probably a separate piece to be written about how Image – once solely the home of the likes of Spawn and Savage Dragon – has now usurped Vertigo for cutting edge comics and left them trailing in their wake.)
Continue reading REVIEW: Lazarus – The Comic You Should Be Reading